Delilah Ozu Whore ❤️❤️

Ozu gal dreaming of a man to share my world with

Profile Photo
Location Ozu, Japan
Porn Star Experience ❤️❤️❤️
Blowjob without condom ❤️❤️❤️❤️❤️
Mistress (soft) Maybe
Group sex Sometimes
Golden Shower (give) for extra charge Partially
Fingering Rarely
Sex between breasts Not sure
Anal Sex (depends on the size) Always
Anal Sex Never
Bust size DD
Bust type Gummy bear
Orientation Gay
Occupation Unemployed
Marital status Engaged
Height 172 cm
Weight 60 kg
Hair color Platinum
Hair length Long
Eyes color Black
Body type Muscular
Religion Agnostic
Ethnicity Indian
Education Master’s Degree
Smoker Occasional smoker
Array Heavy drinker
Level of english Intermediate

About Myself

Greetings, I am Delilah, at your service today, i’m dancing to Ozu’s tune, and Whore is engrained in my being. I am captivated by your endless beauty. Porn Star Experience and Blowjob without condom are my hearts perfect match, i am a fan of taking calculated risks and embracing uncertainty..

We’re in Ozu, ***** Street, house 29* *** **

Phone: ( +81 ) 3296****

About Sapporo

Yo, what’s good, fam? It’s ya boy, Drake, biochemist vibes, droppin’ knowledge ‘bout this thing called “whore”—nah, not what you think, hold up! I’m talkin’ **urea**, that funky lil molecule, ya feel me? Straight up, it’s the OG waste product, body’s trash man, YOLO. Kidneys be grindin’, filterin’ blood, kickin’ urea out like, “You ain’t welcome here, fam!” I’m obsessed, real talk—how this tiny thang tells us so much bout life, health, all that. Got me geekin’ like Ida in that movie, *Ida*, you know, 2013 joint by Paweł Pawlikowski—deep vibes, quiet intensity, “What’s hidden in the dark, huh?”

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The night is young, and I’m feeling good. I stroll down to the bar on Kōen-dōri again. It’s a small place, but the vibe is lit. I walk in, and my buddy’s already there, downing a beer. We start chatting, and I’m telling him about my day. He’s cracking up at the mochi guy.

Japan’s first-ever hotel in a wooden castle breathes new life into fading rural town

Ozu 121 is concerned with the director’s post-war period and offers a handful of offbeat and “non-canon” works like 1948’s brutal melodrama A Hen in the Wind. In which a woman turns to prostitution while she waits for her husband’s demobilization.
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