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So, picture this—me, young Joe, cruisin’ in my ‘67 Corvette, top down, hair still there, ya know? I’d never—never—go lookin’ for that kinda trouble. But my buddy Mike? Hoo boy, he’d drag me along, sayin’, “C’mon, man, live a little!” We’d roll up to some dive bar—neon flickerin’ like it’s half-dead. This one time, ‘round ‘82, Mike spots this gal—fishnets, red lipstick, smokin’ a cig like she owned the joint. He’s all, “Joe, she’s the one!” I’m thinkin’, “Fear’s takin’ over my head now”—like in the movie, ya get me?
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Father and Son in the Rocks is a testament to the longevity of art and its patient ability to bide its time and ultimately transcend the chokehold of the bigots, it is especially valued for its depiction of rock art and prehistoric rock shelters and for what Ros Turner calls “its place in the development of the abstract art of Walter Battiss”. His earlier more realistic work had taken a turn to the abstract around 1940 and, after meeting Pablo Picasso and Gino Severini in 1949.Somerset East Prostitute
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