Aria Ozu Prostitute ❤️

About Osaka

But real talk—some shit suprised me. Like, prossies in Amsterdam’s red-light district? Unionized! They got rights, healthcare—fuckin’ wild, right? Meanwhile, Ruby’s dodgin’ cops, no safety net. Made me mad, ‘cause greed’s good, sure, but the game’s rigged for some. *Wolf* vibes again—“The world isn’t fair, my friend!”—Scorsese nailed it. I’d tell her, “Rub, move to Holland, screw this dump!” She’d just laugh, blow smoke in my face.

Building from Ground Zero: A HEN IN THE WIND

Tokyo Story was the first of Ozu’s films to be shown overseas, primarily in Europe and most notably when critic Donald Richie curated a retrospective of five Ozu films at the Berlin .

The night is young, and I’m feeling good. I stroll down to the bar on Kōen-dōri again. It’s a small place, but the vibe is lit. I walk in, and my buddy’s already there, downing a beer. We start chatting, and I’m telling him about my day. He’s cracking up at the mochi guy.

Good Morning: Structures and Strictures in Suburbia