Elise Ozu Brothel ❤️❤️❤️

About Yokohama

So, findin’ a prossie, right—it’s like huntin’ for rare roses. You sniff ‘round, dodge the thorns—*ouch!*—and hope you don’t get stung, yeah? In Anatolia, they’re all, “Where’s the corpse?” Me, I’m like, “Where’s the tart?!” Same vibe, mate—dark, messy, bit funny. Once, I saw this gal, proper fit, leanin’ on a lamppost—thought, “Jackpot!” But nah, she’s just waitin’ for a bus! *Mimes sulkin’, kicks a pebble*—gutted, me! Laughed me head off after, though—silly ol’ Bean!

VENEWSLETTER

In Ozu's films, he gives us cues to understand that it's hidden. That is to say, Ozu prepared me to see this absence of pregnant women. So, sometimes a director who is very much a realist, .

First off, I hit up the local market on Kōen-dōri. You know, the one with all the fresh fish and veggies? I’m strolling, vibing, when I spot this massive tuna. Like, seriously, it was the size of a small car! I’m thinking, “Who’s gonna eat that?” But then, I see this old dude, grinning like he just won the lottery. He’s all about that sashimi life. I’m like, “Dude, you’re a legend!”

Songs of Convenience | Moeko Fujii