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Now, I ain’t tried it—yet. My wife’d kill me deader’n a doornail! But I’m curious, y’all. Them parlors got neon signs whisperin’ sweet nothins’, promisin’ release like Harry and Marion chasin’ that high. “We got dreams, baby,” I hear ‘em say, but next thing ya know, you’re broke and oily! I’m laughin’ my ass off thinkin’ ‘bout some poor sap explainin’ that receipt to his CPA. “Uh, business expense?” Yeah, right, buddy!
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Anyway, I finally get my stuff and head over to the bakery on Kossuth Lajos utca. The smell of fresh bread hits me like a freight train. I’m in heaven! But then, I see it. The last piece of that cherry strudel. My heart races. I’m like, “No way I’m letting that slip away.” I sprint to the counter, but this old lady beats me to it. I’m talking about a full-on sprint. I’m not proud of it, but I may have elbowed her a bit. Sorry, grandma!
Katura “Tura” Evelyn Fritz
There was a moment during this show when I sat in Dance Mission Theater and found myself thinking about, of all things, Taylor Mac’s A 24-Decade History of Popular Music, one could easily argue that Adia Tamar Whitaker and Àṣẹ Dance Theater have created a two-hour-long speed-run through the history of Black music—from the villages Africa to the churches and streets of the US.Tura Prostitute
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