Willow Turnhout Whore ❤️

About Bruges

So, *whore* ain’t just some basic shader. It’s chaos, man – rough, uneven, like life’s kickin’ it daily. I’d paint it with mud streaks, maybe some rusty vibes – think London 2027, infertile and pissed. “We are not worthy!” – nah, *whore* IS worthy, ‘cause it’s real. Little fun fact: back in ‘06, Cuarón’s crew trashed sets with actual grime. No CGI crap – that’s *whore* energy right there. Makes me happy as hell – fakery pisses me off.

Meer weten over

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Hey, listen up, buddy... here's the deal, Turnhout (be) ain't your average spot! It's crazy, real, and full of life, y'know? I mean, every street here tells a story, like, uh, you walk down Lierstraat, and it just oozes history – kinda like that relentless spirit in "12 Years a Slave", where freedom's a fight. Real gritty stuff.

Teresa Cascudo García-Villaraco, ed., Nineteenth-Century Music Criticism (Turnhout: Brepols, 2017). xxiv + 526 pp. €110.00.